Entries Tagged as 'Art History'

Greg Castillo, “Cold War on the Home Front: The Soft Power of Midcentury Design”

If you grew up in the 1960s or 1970s in suburbia, you probably lived in a smallish ranch house that looked like this. That house probably had an “ultra modern” kitchen that probably looked like this. I grew up in such a house and it had such a kitchen. In fact, I think my mom, sister, and self were models for this ad. (Or may be not. My mom never baked, had a job, and generally dressed in what she called “slacks.” Very modern indeed.) Anyway, we didn’t know it, but our house, kitchen, and “life style” were fighting the Cold War. You can read all about it in Greg Castillo’s fascinating new book Cold War on the Home Front: The Soft Power of Midcentury Design (Minnesota UP, 2009). The leaders of both the Capitalist and Communist worlds claimed to be able to afford their citizens a superior way of life and in the post-war world “superior way of life” meant more, better stuff. So these same leaders enlisted industrial designers in their struggle for supremacy. The West had ranch houses, avocado kitchens, and pink telephones; the East had neo-Classical apartment blocks, reading-corners, and built-in radios (pre-tuned, of course, to official stations). In the end, I suppose, the West “won,” but as Greg points out it did so with a kind of domestic architecture and interior design that has now become so bloated that it is, economically at least, unsustainable. The average ranch house was about 1000 square feet; today the average new home in the U.S. is around 2500 square feet. Al Gore’s house is 10,000 square feet (not counting the guest and pool houses). Inconvenient, but true.

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Benjamin Binstock, “Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice”

Ben Binstock‘s Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice (Routledge, 2009) is one of the most fascinating books I have ever read.  It does what all good history books should do–tell you something you thought you knew but in fact don’t–but it does it ON EVERY PAGE. I thought Vermeer was X; now I know he was Y. I thought Vermeer was influenced by X; now I understand he was influenced by Y; I thought Vermeer painted X; now I realize he painted Y. I could go on and on, revelation after revelation. The biggest news–or rather the bit that will get the most press–is that a handful of “Vermeers” were in fact painted by his daughter, Maria. Vermeer’s Family Secrets is remarkably well researched and convincingly argued. It’s also lavishly illustrated. So are a lot of art history books. But this one is also intelligently illustrated: the way the pictures are arrayed serves the book’s many arguments. They are not simply eye-candy; they are also brain-candy. And the book is written in a clever, engaging, dry style. The short “Acknowledgments and Preface” are worth the price of admission. A word about that price. I confess I get all the books I do on this show free, thanks to the publishers. So I don’t know how much they cost. I thought this one, judging by the production value, was going to run somewhere around $100. That’s steep. But my friends, I’m delighted to tell you that you can buy this book for the low, low price of $32.85 from Amazon. It would make a great holiday gift. Since I have a copy on hand, I think I’ll give it to my brother-in-law (don’t tell him…).

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